News

For Londoners the six long years of the Second World War were a time of almost constant anxiety, disruption, deprivation and sacrifice. The Blitz began in earnest in September 1940 and from then on, for prolonged periods, London was under sustained aerial bombardment by night and by day. Throughout the war, the capital was the nation’s front line; by its end, 30,000 Londoners had lost their lives.

Yet if the bombing defined the era for those who lived through it, the months of terror were outnumbered by those spent knitting together the fabric of daily life at work, in the home, on the allotment, in the cinema or theatre and, not least, standing in those interminable queues for daily necessities that were such a feature of London’s war.

Much has been written about ‘the Myth of the Blitz’ but in this riveting social history, Jerry White has unearthed what actually happened during those tempestuous years, getting close up to the daily lives of ordinary people, telling the story through their own voices. At the end of it all, the Battle of London was won not on the playing fields of Eton but in the playgrounds of a thousand council elementary schools across the capital.

The National Portrait Gallery, the National Gallery and the Royal Academy all saw either radical architectural interventions or rethinks of their mission under Charles Saumarez Smith’s leadership, making him uniquely qualified to explore the ways in which art museums have changed over the past century and examine where they might be headed in the future.

For this book, Saumarez Smith has undertaken an odyssey to art museums across the globe. From Tate Modern in London to the Benesse House Museum on the Japanese island of Naoshima; from the Getty Center in Los Angeles to the Museum of New and Old Art, a ferry-ride from Hobart in Tasmania; from the Pompidou Centre in Paris to the West Bund Museum in Shanghai – he has visited them all, casting an acute eye on the way the experience of art is shaped by the buildings that house it and the organizing principles by which it is displayed.

What has changed over the past century? Where the public once visited museums to be educated in art history, he argues, they are now more likely to be in search of a private, aesthetic experience. Museum displays that were automatically didactic, chronological and either national or Western in viewpoint are now thematic and global. While museums used to be invariably in city centres, they may now be in remote locations, destinations of cultural pilgrimage. And where architects once created neutral spaces in which to display art, they now build spectacular architectural landmarks, stamping an identity on run-down neighbourhoods and sparking regeneration through cultural tourism.

How can we be good ancestors?

From the first seeds sown thousands of years ago, to the construction of the cities we still inhabit, to the scientific discoveries that have ensured our survival, we are the inheritors of countless gifts from the past. Today, in an age driven by the tyranny of the now, with 24/7 news, the latest tweet, and the buy-now button commanding our attention, we rarely stop to consider how our actions will affect future generations. With such frenetic short-termism at the root of contemporary crises, the call for long-term thinking grows every day – but what is it, has it ever worked, and can we even do it?

In The Good Ancestor, leading public philosopher Roman Krznaric argues that there is still hope. From the pyramids to the NHS, humankind has always had the innate ability to plan for posterity and take action that will resonate for decades, centuries, even millennia to come. If we want to become good ancestors, now is the time to recover and enrich this imaginative skill.

The Good Ancestor reveals six profound ways in which we can all learn to think long-term, exploring how we can reawaken oft-neglected but uniquely human talents like ‘cathedral thinking’ that expand our time horizons and sharpen our foresight. Drawing on radical solutions from around the world, Krznaric celebrates the innovators who are reinventing democracy, culture and economics so that we all have the chance to become good ancestors and create a better tomorrow.

This is the book our children’s children will thank us for reading.

The Edge, U2